Delivering the Goods

Earlier this year I went on assignment with Water Mission to Indonesia (again) to shoot some of their program work there. I always love these assignments, and I come back with loads of usable images. One of the things I committed to doing with my clients many years ago was to cover everything I possibly could in each location they send me. So–I’m looking for those moments of real human emotion, yes, but I’m also trying to exhaust the possibilities in each scene so that the work gets used. Wides, mediums, closeups, weird angles, whatever I can to give them the most bang for their buck. I really have very little control over how these images get used, but my hope is that they do, and setting up the client with many solid images, some iconic, increases the odds that they will use the work. That’s just good business, and the best way to increase the reach of how the images can affect change. Here are a few samples from that shoot:

Seeing a Scene

Some thoughts on “seeing” a scene…really this is more about “feeling” a scene; looking for and sensing where the movement and emotion is. So any time I walk into a home like this I’m just waiting for things to unfold naturally. These photos I made in November 2016 in Haiti. Medical Teams International staff and volunteers were setting up and giving care through a Mobile Medical Unit in Chateau Arniquet, Haiti, in response to the need after Hurricane Matthew wreaked havoc on rural and coastal communities, blowing over crops, flooding fields and homes, and making life otherwise miserable for many. So I found myself at this recipient’s home. For those that want to know: here’s what I used to take the black and white image: Nikon D4, 24mm Nikkor lens at f/1.4 at 1/5000 of a second; all the others I shot at f/1.4. I’m not in a hurry in these situations. There are multiple shots I know are good, and all these ones I would have thought to myself “yeah, that’s on point.” When I look at them later, there is usually one I gravitate toward, for reasons I really can’t explain. The black and white image in this series is the one that got me. I think it was the mom and the expression on her face.

I do the occasional wedding video, yes. it’s true

I’m not ashamed by this at all. I get to work with the best of the best (like James x Schultze, two super cool guys). And I get a big dose of beauty, which I often need since I work primarily in places where beauty is sometimes in short supply. Check out this video I did for the incomparable Lauren and Greg in the Vail Valley in late fall. 

Refugees in Jordan

According to Mercy Corps, for whom I have a shot a great deal of refugee-related work, “the Syrian conflict has created the worst humanitarian crisis of our time. Half the country’s pre-war population — more than 11 million people — have been killed or forced to flee their homes. Families are struggling to survive inside Syria, or make a new home in neighboring countries…At times, the effects of the conflict can seem overwhelming.” 

Overwhelming, indeed. I can say this because I’ve been there, several times. To Iraq. To Lebanon. To Greece, To Jordan. The photos below are a smattering of one such trip shooting inside Jordan’s huge refugee camps, Zaatri and Azraq. The conflict in Syria goes in and out of the news. If you are interested in a really good primer on what this conflict is all about, read the excellent one on Mercy’s Corps’ web site. And, if you want more background on the stories behind some of the people you see in these photos, take a look here

Indonesia and Mexico – Water Mission

I love the work Water Mission does to help communities find and maintain safe water access and supply. I’ve been to their work all around the world, and I can tell you they are making a big, big difference in people’s daily lives. Here is a look at some that work from Indonesia and Mexico that I shot for them recently: